Christina Ortiz at QEH 2013-11-27

5 Jan

Chopin himself did not regard the large concert hall as the proper environment for the performance of his music. How can the pianist deliver effectively the dynamic contrasts required to portray fully the emotional and spiritual content of these wondrous compositions, when surrounded by such a large volume of space to fill with sound from a single instrument, however powerful? This was the task Christina Ortiz set herself in presenting all four Ballades and Scherzos of the Polish master in one programme.

The sheer artistic, emotional and physical feat of performing these monumental works together is impressive and requires great stamina and focus, qualities Ms Ortiz definitely possesses. She is also indisputably a master pianist of impeccable skill. Her fingers flew felicitously over the keyboard, rendering every motif and phrase to perfection. And yet something was not right. Too often I felt that the experience was akin to watching a pizza chef twirling and throwing the pastry aloft; or a cocktail barman gymnastically shaking and mixing drinks. Mesmerising, but does all that make the pizza tastier, the cocktail more potent?

It has been said and I agree, that a good part of the musical virtue of Chopin is expressed not in his melodies, though these are often gorgeous enough, but rather in the revolutionary use of harmony and counterpoint; the innovative development of musical forms; the exploitation of the piano’s dynamic range and expressive capabilities. I felt our performer, perhaps necessarily for the reasons outlined above, lost some of these virtues in her quest to conquer the pianistic challenge and to meet the expectations of the ticket-buying audience.

The melodies were woven beautifully and with very effective rubato over a confident accompaniment but some of the finer harmonic effects were missing, occasionally through excessive playing speed.

In all, somewhat disappointing, perhaps inevitably.

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